There is a piece of mine here
at Counter Currents on Aristotle’s Rhetoric. The introduction
discusses the opinion of Donna Zuckerberg, sister of Mark, and her fears that
white men – ‘the worst men on the internet’ – will be attracted to the classics
and try to make them great again. As I say in the piece, there was never a time
when the classics were not great. Ms Zuckerberg has confused the intellectual
worth of something with its market value. I suppose it must run in the family.
Classical literature has been around in its extant
entirety since the Renaissance. It hasn’t just popped up like Harry Potter
or Star Wars. It requires a certain approach, being neither beach
reading nor a genre requiring knowledge of philosophy. It is humanistic, Plato’s
theology notwithstanding, and presumably this explains its popularity during
and shaping of the Renaissance. Classical literature is also white.
It is axiomatic that anything tainted by whiteness
must be chivvied out and either censored or cancelled entirely. Whiteness is
feared by the Left and their ethnic tailcoat-hangers as Kryptonite is feared by
Superman. Whites are success victims, responsible for Western supremacy for so
long and also, by the same process, responsible for those who now wish that
supremacy destroyed and replaced by a different hegemon, one whose likelihood
of recreating or replacing civilization in the same way is slim.
What has led to our current Denaissance, this Age of
Unreason, a Dark Enlightenment? It would be a bit precious to claim that we are
careering down the highway to hell because we don’t read enough Cicero or
Lucretius. That said, the classical civilisations were among the first to
manifest as successful, and they left a (partial) record of that feat.
The internet – our Gutenberg moveable type press –
offers what the BBC once claimed to provide: Information, education, and
entertainment. Western governors would prefer you to use it for the latter,
there being too much liberatory discourse out there in the virtual cosmos for
their liking.
You can read yourself to a tolerable level of freedom
in an increasingly oppressive world. And, if you happen to engage with
classical literature – and indeed the whole treasure trove of white Western
literature – you are in luck on a table where the odds are increasingly being
stacked against you and your chance of liberty. There is nothing of the air of
the (post-) modern about the literature of strong times, no cynicism about its
philosophy (the school of the Cynics notwithstanding) but a sense of an
ethno-intellectual brotherhood, one now forced underground where the shades
are.
The collected works of Plato and Shakespeare are available
as e-books for far less than the price, combined, that you would pay for a half
of lager in an identikit bar in London. Have you any idea of the difficulty and
expense of obtaining these volumes our grandfathers would have experienced?
So, the classics are waiting there for you, should you
be intrigued. Escape from the modern, go back in time, make the classics great
again.
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